Batgirl and the Birds of Prey #1
Writers: Julie Benson & Shawna Benson
Artist: Claire Roe
Colors: Allen Passalaqua
Letterer: Steve Wands
DC
Picking up immediately where the Rebirth issue left off, BBoP sees Batgirl and Oracle racing after Huntress as she tries to murder their only lead to the new criminal Oracle that’s cropped up in Gotham. The Bensons craft a fast-paced issue, one that zips along at an enjoyable pace. Even when the characters take a break, the downtime is filled with excellent personality. Roe’s art is dynamic and expressive, thought some of the choreography does get a bit lost in the shuffle in places. Topped off with Passalaqua’s beautiful colors, BBoP’s first official outing is a sharp uptick for the series.
The Ultimates #10
Writer: Al Ewing
Artists: Kenneth Rocafort & Djibril Morissette
Color Artist: Dan Brown
Letterer: VC’s Joe Sabino
Marvel
In the midst of Civil War II, the Ultimates break and Thanos breaks out. It’s a terrible, glorious issue as the tensions Ewing has been cultivating in the past few issues finally blossom. Mostly, I just like it because there’s finally a takedown of a key character in this stupid event. Morissette handles the art duties of the inciting incident satisfactorily, but it’s Rocafort’s incredible paneling that steals the show. Merely the formatting of a page was enough to elicit an vocal response while I was reading. The dominoes are starting to fall for the Ultimates, and it looks to be one of the best crashes of its kind.
Batman #5
Writer: Tom King
Pencils: David Finch
Inks: Sandra Hope, Matt Banning and Scott Hanna
Colors: Jordie Bellaire
Letters: John Workman
DC
Broken by the Psycho-Pirate, Gotham attempts to break his namesake brick by brick. Only Batman, a man in a mask, stands in his way. King guides us into an incredible finally for the series’s opening arc. Several pieces set up in earlier issues finally come into play to great satisfaction. The fight that covers the majority of the issue is incredible to behold, with its closing moments being some of the most well-executed spots in comics. While the story of Gotham isn’t over (is it ever, truly?), this is an excellent conclusion to King’s first story.
Spider-Woman #10
Writer: Dennis Hopeless
Layouts: Javier Rodriguez
Finishes: Veronica Fish
Color Artist: Rachelle Rosenburg
Letterer: VC’s Travis Lanham
Marvel
Spider-Woman puts her detective skills to good use as she checks up on several of Ulysses’s prognostications, which unfortunately coincides with a major development in the Civil War II storyline. Frankly, this feels like the first issue to succumb to the pitfalls of being an event tie-in. While the issues closing moments when Jess learns that SPOILERS Hawkeye killed Bruce Banner off a Ulysses’s tip END SPOILERS are great, but it sorta feels like the rest of the issue is just padding, entertaining though it may be. Further, the art is a bit off-putting, as Fish (normally a great artist in her own right) is merely finishing Rodriguez’s layouts, and while it’s certainly not the worst thing in the world, it is a bit off-putting. A bit of a stumble, but hopefully the series recovers in the next issue.
BOOK OF WEEK
The Wicked + The Divine #22
http://www.comicosity.com/wp-content/uploads/2016/08/STL014345.jpg
Writer: Kieron Gillen
Artist: Jamie McKelvie
Colorist: Matthew Wilson
Letterer: Clayton Cowles
Image
Jesus H. Christ
So what did you pick up this week? Agree or disagree with anything said here? Let us know in the comments.