Silk #12
Writer: Robbie Thompson
Artist: Tana Ford
Color Artist: Ian Herring
Letterer: VC’s Travis Lanham
Marvel
Silk’s quest to find her missing parents takes her and her friends to the Negative Zone where shit gets weird. But fun! Despite the perilous nature of their environ, the crew keeps things light with witty banter, mostly on the part of Lola and Rafferty, and the weirdness keeps the mystery moving and entertaining. Said weirdness lends itself well to Ford’s style, who infuses the Negative Zone with appropriate alienness and wonder. Silk’s adventures may have stepped off the familiar path, but it doesn’t seem like the quality has diminished in the slightest.
Batman #6
Writer: Tom King
Pencils: Ivan Reis
Inks: Joe Prado, Oclair Albert, & Scott Hanna
Colors: Marcelo Maiolo
Letters: Deron Bennett
DC
After the end of I Am Gotham, Batman’s sixth issue see Gotham Girl dealing with the fallout in perhaps the worst way. It’s an emotional issue from King, something that he’s quite good at, and manages to give us one of the best Bruce Wayne moments in recent memory. Reis and a team of inkers, sell the script well, perfectly capturing every emotion and providing gorgeous backgrounds as well. The next issue starts a line crossover which I’m not sure I’m down for due to budget and sales factors. However, after this first arc, it’s safe to say that Batman is in good hands coming out of Rebirth.
BOOK OF THE WEEK
Moon Knight #6
Writer: Jeff Lemire
Artist: Wilfredo Torres, Francesco Francavilla, and James Stokoe
Color Artist: Michael Garland, Francesco Francavilla, and James Stokoe
Letters: VC’s Cory Petit
Marvel
After escaping Khonshu’s latest plot, Marc Spector must be free and clear, right? WRONG! It looks like his identities have been shattered and scattered across the world and he might even still be in the mental hospital. Lemire’s script is incredible, providing the reader with enough hints and clues to make them think they’re on the right path before ripping that world asunder. The decision to have multiple artist depict the multiple points of view is perfect. Torres and Garland are an amazing fit for the glitzy Hollywood life of Steven Grant, Francavilla is a no-brainer when it comes to the neon-noir misadventures of Jake Lockley, and Stokoe knocks Marc Spector’s sci-fi moon adventure out of the park. Reading this issue is a pure joy and the next looks to heighten that enjoyment.
The Woods #25
Writer: James Tynion IV
Illustrator: Michael Dialynas
Letters: Ed Dukeshire
Boom! Studios
Another timeskip starts the final year of The Woods, and, for once, we get a look at how Earth is doing after the disappearance of an entire school. It’s a neat scene and one that Tynion imbues with a great amount of heart and emotion. Back on whereever-the-fuck, the kids have gotten on as best they can after the heart-wrenching events of the previous issue. Dialynas covers all artistic duties on this one, and while the colors are a bit more muted than previous outings, there isn’t really a misstep. The Woods has been a stellar example of quality genre work outside the Big Two, and, while I’m sad to see it end, I can’t wait to see where it goes.